Rassegnati o Rassegnazione
Oil on canvas, 205×180 cm Before 1914 Siena, Monte dei Paschi di Siena Collection Exhibited in Rome in 1914, the canvas offers an image of life lived in total indigence, photographed with implacable realism: a man in his underwear is trying to get warm next to the embers in a
Ritratto del Niccolai
Oil on canvas, 57.7×36.8 cm Signed twice in red, at the bottom Circa 1897-1908 Manciano, private collection Here Pascucci portrays a fellow townsman distinguished by his interesting, eccentric physiognomy: a long, flowing beard, red like his moustache and hair, Norman colouring; a full, ruddy, smiling face that exudes vitality and
Bozzetto per Gli Apostoli o Il Giovedì Santo
Oil on canvas. 30.5×72 cm Signed at lower right Circa 1908 Pitigliano, private collection This oil sketch for The Apostles already clearly indicates the final composition, luminous and rhythmic, but the faces are mere quick touches of the brush; they would later be the object of detailed study, like the
È morta la vacca
Oil on canvas, 116×160 cm Signed at lower left Before 1909 Siena, Collection of the City of Siena As in the preceding painting, here too Pascucci deals with a complex articulation of light which cuts partially through a dark space: around a table set for a simple meal are gathered
I calzolai o Ciabattini o Veglia laboriosa
Oil on canvas, 44.5×53.5 cm Signed at lower right Before 1905 Manciano, private collection Exhibited in Rome in 1905, the painting is one of a group of works in which Pascucci studies the effects of artificial light in dark environments to draw forth vivid plays of colour. The oil lamp
Il riposo del pastore o Giacobbe addormentato
Oil on canvas, 73×93 cm 1901 Siena, Collection of the Società di Esecutori di Pie Disposizioni In early 1902 Pascucci sent this picture, under the title The Repose of the Shepherd, to the Società di Esecutori di Pie Disposizioni to obtain an extension of the Biringucci fellowship, granted for another
La mietitura
The Wheat Harvest Oil on canvas, 64.5×117.5 cm 1900 Siena, Collection of the Società di Esecutori di Pie Disposizioni This painting was sent to the Società di Esecutori di Pie Disposizioni in 1901 as the second sample of his work for the Biringucci fellowship, with the request that the fellowship
Eroi di Maremma
Oil on canvas, 75×95 cm 1895 Signed and dated at lower left Florence, CR Firenze art collection [oppure: Collection of the Cassa di Risparmio di Firenze] In a cold, sparely furnished room a man lies on a bed, dead before his time of malaria, despite the attempts to heal him
Winterlandschaft
Klaes Molenaer (Haarlem 1628/29 – 1676) Winterlandschaft Öl auf Leinwand, 72 x 102 cm Im 17. Jahrhundert blühte in den Niederlanden das Genre der Winterlandschaft auf und wird durch dieses Gemälde gut repräsentiert, in dem wir neben den für das Repertoire des Künstlers typischen einzelnen figurativen Elementen seine Berufung für
Flusslandschaft mit Fischern
Jan van Goyen (Leiden 1596 – Den Haag 1656) Flusslandschaft mit Fischern Öl auf Holztafel (Eiche), 47,5 x 62 cm (oval) Signiert und datiert unten rechts, unterhalb der Brücke: 1635 f JVG Die schwebende, kontemplative Atmosphäre, unterstrichen durch die Reduktion der Farbe, erhebt den bescheidenen Alltag der dargestellten Fischer zur
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