Apotheosis of Victor Emanuel II Crowned by the Fatherland
As part of the celebrations organized for the death of King Victor Emanuel II, Aldi presented this complex allegory which shows the king being crowned by a personification of Italy. Close to the throne are the personages who supported him (recognizable among them are Cavour, Garibaldi, Bettino Ricasoli, and Ubaldino
Still Life with Fur and Lute
This work, shown at the annual exhibition of the Istituto di Belle Arti in Siena, is a typical academic exercise on the theme of draperies, set up by the teacher with objects belonging to the school. In the background is a copy of the Self-portrait by Perugino in the Uffizi,
Drawing Room of Palazzo Corsini in Rome with a Sideboard
During restoration in 1998, it was determined that these two paintings were one sole canvas, made for the purpose of recording the furnishings of Palazzo Corsini alla Lungara before its sale to the Italian government. Especially notable is Aldi’s skill in depicting fabrics, ceramics, and fine wood with precision. These
Drawing Room of Palazzo Corsini in Rome with a Footstool
Olio su tela 60×38,5 cm inv. 11
Interior of Palazzo Corsini alla Lungara in Rome
These three paintings depict the luxurious interiors of Palazzo Corsini alla Lungara in Rome, sold by Prince Tommaso Corsini to the Italian government on 17 September 1883. Around 1880, Ludovico Tuminello photographed the palace interiors, and some of these images are present in the Aldi archives. In all probability the
Self-portrait
This work, painted in Rome in 1887, seems to be derived from the Self-portrait in Profile (inv. 46) made in order to include his own image in the festive crowd at the Meeting in Teano painted in the Risorgimento Room of the Palazzo Pubblico in Siena in 1886. The execution
Far Away
The wide horizon shows a distant cloud dumping a downpour of rain without touching the luminous calm of the countryside in the foreground, as though sending a reassuring message about the positive benevolence of nature even in its most violent manifestations.
Promised Land
Gianneschi returns to the theme of a steep path in the midst of uninhabited nature to reach a clearing with trees still leafless in a winter atmosphere, an explicit metaphor for the difficulties of human life longing for the serenity of a desired sense of wellbeing.
The Giants
The use of ancient painting techniques based on the teachings of Cennino Cennini enables the artist to obtain luminous colour and surfaces as smooth and glossy as precious enamels. The white rocks of the Albegna River are transformed into anthropomorphic giants, ready to engage in conversation like elderly sages, experts
Occasions
In this painting the artist seems to return to surreal themes in showing the contrast between the modest building in the shadows, revealed only by the electric light of a streetlamp, and the luminous grandeur of the Amiata woods inhabited by a protective stone giant.
Recent Comments